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(Screen with Flower on Gold), c. 1800

Unknown Japanese

Not on View
wide, short, twisting tree trunk with gnarled branches in full blossom

Plum Screen, late 18th century

Ki Baitei

Not on View
bifold screen hand painted with a diagram of a military formation, symbols, and banners; color key at BL; calligraphy at TL; verso is covered with green paper with handwritten label at verso TL; in simple light wood frame

Folding screen depicting schematic of a military formation, one of a pair, 19th century

Unknown Japanese

Not on View
bifold screen with hand painted design representing a map of a military headquarters or camp; large rectangle fenced area with color coded rectangles within; color key at BL, calligraphy at CR and along bottom; large calligraphy at TC; verso is green paper with written label at verso TL; in simple light wood frame

Folding screen depicting map of military camp, one of a pair, 19th century

Unknown Japanese

Not on View

(Screen and a tiger), 1866, 1st lunar month

Yoshimi Yutaka

Not on View
six sheets of paper affixed together; village scene with thatch-roofed buildings and people working; small orchard in middle ground at left; mountains in background; khaki and blue mount; ivory roller ends

Sketch for Screen, late 18th century

Maruyama Ōkyo

Not on View
group of eight men and women playing a ball game within a copse of blossoming trees; ball is suspended in air near tree at center; portion of building with green screens and a verandah at R

A Kemari (Japanese Football) Game Beneath Cherry Blossoms, 18th century

Unknown Japanese

Not on View
tan paper; approximately seven paragraph-like text blocks with various styles of calligraphy--regular, looping, thin lines; gilt at edges

(Chinese and Japanese poetry), first half 17th century

Shōjō Shōkadō

Not on View
female figure seated with arms clasped toward chest; wearing court dress, with long, pleated hair; small crown on head; mounted to wooden screen on back

Shinto Goddess, 12th-13th century

Unknown Japanese

G220

two-paneled screen with silver background; each panel has two gold fans; R panel: moss-covered tree with white blossoms; red chrysanthemums with blue flowers; L panel: tree with arced limbs and bushy clumps of foliage; blue wave cresting in front of red sun

Screen with four fans, 1920s-1930s

Kamisaka Sekka

Not on View
unsigned; left of a pair of six-panel folding screens; many scenes against gold leaf background; edge of building on left panel with snow; building at top across panels three to six the many seated figures wearing black with a few wearing red and blue; procession in LR of panels five and six with figures in black carrying covered dias and pulling two green carriages behind

Autumn and Winter [left of the pair Scenes from the Tale of Genji in the Four Seasons], mid 17th century

Unknown Japanese

Not on View
unsigned; musicians and actors on stage at L with audience outdoors, looking on and talking to one another; fence and banners erected behind audience; building at R with men standing and talking behind walls, and others outside sitting and chatting

Okuni Kabuki, first quarter 17th century

Unknown Japanese

Not on View
seated male figure holding a court noble's scepter, with face and hairstyle of a Bosatsu; mounted to plaque on back; legs folded in lotus position

Shinto God, 12th-13th century

Unknown Japanese

G220

unsigned

Whose Sleeves? [right of a pair], early 17th century

Unknown Japanese

Not on View
unsigned; image of two black lacquer kimono stands with different types of gold patterning, hung with various patterned kimono; koto (zither) in LRQ; tubular case with pink flowered brocade, pink tassels and gold bells hanging from right top corner of kimono stand at right

Whose Sleeves?, early 17th century

Unknown Japanese

Not on View

(Old man repairing a shōji screen), c. 1848-1853

Hōshū

Not on View
calligraphy-inscribed shikishi with underpainting in gold of a full moon

Poem from the Collection of Japanese Poems of Ancient and Modern Times (Kokin wakashū), early 1610s

Hon'ami Kōetsu; Artist: Underpainting by Tawaraya Sōtatsu

Not on View
pink soft cover, bound with white string; other #'s J159

Drawing Collection of Kanō Tan'yū's Screen Paintings, 18th-19th century

after Kano Tan'yū

Not on View

(Prostitute and Her Guest in front of Chrysanthenum Screen), c. 1825

Attributed to Eisen

Not on View
two-panel folding screen with powerful green waves capped with white, fingerlike crest; dark tan background

Foaming Waves, 17th - 19th century

Unknown Japanese

Not on View
six panel screen; dense flock of white cranes, and a few cranes with darker feathers against gold background

Cranes [right of a pair], 18th century

Unknown Japanese

Not on View
unsigned; many different scenes with people sitting in small groups inside of buildings, on verandahs, or standing near trees outside; scenes separated by silver clouds: people sitting on and inside a building doing calligraphy; woman inside room looking at a river; men and women outside near trees; scholars seated near rocks; men near a carriage pulled by a black ox, etc.

Scenes from the Tale of Genji on Silver Ground [left of a pair], 18th century

Unknown Japanese

Not on View

A Show of Horsemanship, second half 17th century

Unknown Japanese

Not on View
unsigned; many different scenes from Genji, separated by trees, rivers, and silver clouds; from R: men and women in a building with verandah, with a man sitting on the verandah alone looking in with a flower in hand; group of women and performers wearing wings at LR; near center, men seated behind low black table holding meting; men and women outside; at L, people in a boat, and others inside building near screens painted with bamboo motif

Scenes from the Tale of Genji on Silver Ground [right of a pair], 18th century

Unknown Japanese

Not on View
six-panel screen with gilt clouds and ground; view of a building with many figures who are eating, smoking, and playing games; figures at right relaxing with empty sedan chairs; predominately green at center, with bright reds; gold mounting fabric

Amusements in a Mansion, c. 1650

Unknown Japanese

Not on View
short two-panel folding screen with a carved image of three shrimp and seaweed and left with round elements; blue, tan, and black; open rectangles at top of each panel; black lacquer on back; unsigned

Spiny lobsters (Ise-ebi) emerging from seaweed, c. 1930-1940

Unknown Japanese

Not on View
unsigned; man wearing massive robes seated on low podium behind partially closed screen; arrangement of robes and tall black hat give figure triangular appearance

Retired Emperor Gotoba, 14th century

Unknown Japanese

Not on View
green hills amid golden clouds at R with clusters of white, blue, and pink flowers; grass fronds; waves along bottom; snow covered hills at L; snow covered tree branches and autumnal foliage and grasses against waves at R

Mountain Landscape in Autumn and Winter, 16th century

Unknown Japanese

Not on View
unsigned; 6 panel screen with vignettes separated by golden clouds; beginning at R, a male figure on a chair, and smaller figure on green mat hold audience in a room; below, a woman inside looking through screen at other women outside; men gather around a carriage; musicians in white with male dancer entertain small audience on verandah and bridge; female figure in bushes watches male and female figure near center; men in room with green mat along with papers; women at bottom gathered in room, etc.

Scenes from the Tale of Genji [right of a pair], 17th century

Unknown Japanese

Not on View

Screen Maker, late 19th century

Tōgetsu

Not on View
unsigned; thick field of barley painted against a gold leaf background

Barley Field, early 17th century

Unknown Japanese

Not on View
unsigned; right of a pair of six-panel folding screens; many scenes on gold leaf: attendants with carriages at Land center among pine trees and clouds; interior scenes at top: male figure in red inside open walled room; court women at top center with pulled screens; trees; interior scene at R with court women in large robes admiring art on scrolls; group of robed men among blossoming cherry trees at UR

Spring and Summer [right of the pair Scenes from the Tale of Genji in the Four Seasons], mid 17th century

Unknown Japanese

Not on View
lively street scene featuring a female kabuki performance at L; motely crowd of men, women, and children on street, some watching the performance, others flirting, walking, dancing, wrestling, etc.; in background, men and women lounge in tea shop

Okuni Kabuki, mid 17th century

Unknown Japanese

Not on View
scenes in and around Kyoto showing foreign visitors, some with "Christian" symbols; some of the figures in "western" dress are probably Japanese; other ambiguously clad figures in foreground may be Koreans; famous sites identified by labels; ornate clouds of embossed gold-leaf decorate all panels and are integral visual element of landscape

Scenes in and around Kyoto, early 17th century

Unknown Japanese

Not on View
unsigned; hilly landscape with four figures, a shrine in red-orange, and grazing oxen; gold covers majority of surface and is applied in powdered form, flakes, and strips; slivers of silver also present

Scenes from the Tales of Saigyō [left of a pair], 17th century

Unknown Japanese

Not on View
unsigned; hilly landscape with stream and flowering trees; an open-air residential structure spans the first three panels populated by men and women in deep contemplation, playing games, and reading; gold covers majority of surface and is applied in powdered form, flakes, and strips; slivers of silver also present

Scenes from the Tales of Saigyō [right of a pair], 17th century

Unknown Japanese

Not on View
small six-panel screen; group of people picnicking on red blanket along a shore at R; another group of picnickers near UC between trees, with horseback rider nearby; arched bridge with tree nearby at L; another group of people on bench at L; man entering shine complex at L

Sumiyoshi Shrine and Osaka Bay, c. 1660

Unknown Japanese

Not on View
unsigned; pair of cranes left of center; pine tree at left; swimming duck and pair of smaller birds at right; blooming white and red chrysanthemums; unsigned

Cranes under Pine Trees, 16th century

Unknown Japanese

Not on View
six-panel folding screen with predominately gold, blue, green image of sailboats, stylized calm water and mountains; green foliage in foreground at bottom edge, large mountain on the right side; blue and gold brocade mount; backing paper dark blue with overlapping circles and stars repeating pattern; unsigned

Sail boats on Yodo River in Fushimi [left of a pair], around 1600 (restored in 1672)

Unknown Japanese

Not on View
six-panel folding screen with predominately gold, blue, green image of sailboats, stylized calm water and mountains; green foliage in foreground at bottom edge, 5 sailboats in ULC; blue and gold brocade mount; backing paper dark blue with overlapping circles and stars repeating pattern; unsigned

Sail boats on Yodo River in Fushimi [right of a pair], around 1600 (restored in 1672)

Unknown Japanese

Not on View
flat gold bridge at left; stylized brown waves on water; two large weeping willow trees at left and right

Willow Bridge and Water Wheel (Uji Bridge) [right of a pair], second half 16th century

Unknown Japanese

Not on View
flat gold bridge at right; stylized brown waves on water; water wheel at left; weeping willows at ULC and LRC

Willow Bridge and Water Wheel (Uji Bridge) [left of a pair], second half 16th century

Unknown Japanese

Not on View
two-panel screen of an aviary: small octagonal structure bottom center with second, elevated round roof on pole at upper center; set on small island in shallow, green pool with concrete edge; chicken wire fence in background; white and multi-colored pigeons roosting on elevated roof; ducks on edge of pool at R; other water birds wading and swimming; three white feathers floating in pond at R

Aviary, 1920s

Unknown Japanese

Not on View
eight horizontal rows of various square and rectangular banners, helmets, bundles, lanterns, streamers, and other military regalia on poles; predominately red, black , and white, with touches of turquoise and gold; rectangular banner with three black circles in URC; red rectangular banner with two white elements at top in LRC

Battle Standards and Banners [left of a pair], 18th century

Unknown Japanese

Not on View
unsigned; 6 panel screens with various scenes divided by gold clouds; at R, men and women are gathered in a room with two female musicians; at LR, a man on a verandah gazes inside at a kneeling woman; other groups of men around outside; other vignettes of people gathered outside, near carriages, or inside rooms with verandahs

Scenes from the Tale of Genji [left of a pair], 17th century

Unknown Japanese

Not on View
Magpies on pine, blackbirds on grey or white.

Crows and Cryptomeria, late 16th century

Unknown Japanese

Not on View
landscape scenes with gold sky and gold ground between scenes; rolling mountains; villages by bodies of water and rivers with small groves of trees; some tiny figures inside buildings, on boats and in landscapes; place names in black on small gold rectangles

Panoramic View of the Tōkaidō [left of a pair], 18th-19th century

Unknown Japanese

Not on View
thick green grasses against gold background of clouds; various overlapping flowers in blue, red, white; blue and yellow flowers; white and yellow flowers, and tiger lilies; large moon (?) in center panel

Musashi Plains [right of a pair], Second quarter 17th century

Unknown Japanese

Not on View
thick green grasses with golden clouds and silver in background; scattered red and blue flowers, white flowers, lilies in foreground

Musashi Plains [left of a pair], Second quarter 17th century

Unknown Japanese

Not on View
unsigned; strip of paper featuring images from the Tale of Genji; two women seated behind low tables at L with two other figures outside the room facing them; three female figures within a room L of C; two men outside the room at R

Scene from the "Spring Shoots II" Chapter of The Tale of Genji, 16th century

Unknown Japanese

Not on View

Hiyoshi Taisha Sannō Festival, first half 17th century

Unknown Japanese

Not on View
unsigned

Whose Sleeves? [left of a pair], early 17th century

Unknown Japanese

Not on View
rectangular box with scenes from the Tale of Genji painted on outside; on cover: male and female figure inside building looking out over verandah onto snow-covered rocks and a stream; on one side, female figure in green and red robes lays on her stomach on verandah looking wistfully toward man in white who is seated on the ground; on opposite side, a young woman and two other figures inside on green matting; blossoming tree nearby; inside is gold painted with white chrysanthemums

Box with scenes from The Tale of Genji, 18th century

Unknown Japanese

Not on View
two cut-away interior vignettes with hill and trees between them; scene on left with man in black at left; standing lady at center in white flowered kimono and red apron-like skirt; three seated woman at right, one at left; woman in pink walking up stairs toward standing woman; two women in LRC in garden with white and red flowers; scene at right with man in white seated at top center; five seated women; one standing woman at left carrying a tray with a white cloth; unsigned

The "Jeweled Chaplet" and "Typhoon" Chapters from the Tale of Genji, late 18th-early 19th century

Unknown Japanese

Not on View
unsigned; village scene with people in various forms of activity; men with carriages; images separated by gold clouds

Six Scenes from the Tale of Genji, 18th century

Unknown Japanese

Not on View

Untitled (Swans and Willow Trees), 1556-1650

Unknown Japanese

Not on View
pine tree with gnarled, twisted trunk; waves in background and LLC; gold ground

Pine Tree by a Stream, 19th century

Unknown Japanese

Not on View
Hill #J109

Untitled [autumn flowers and grasses], late 19th century

Unknown Japanese

Not on View
eight horizontal rows of various square and rectangular banners, helmets, bundles, lanterns, streamers, and other military regalia on poles; predominately red, black , and white, with touches of turquoise and gold; white rectangular banner in URC; red rectangular banner with black and white striped small streamer at top in LRC

Battle Standards and Banners [right of a pair], 18th century

Unknown Japanese

Not on View
three white, black, and blue birds perched around a nest on a twisted, weathered pink trunk; pine foliage extends upward and to the L

Three Magpies on a Pine Tree, 1920s-1930s

Unknown Japanese

Not on View
group of children at left play with fish in a shallow pool; four children at center play a board game; young girl at right brings a plate to two boys seated on a bed; gold ground

Chinese Children at Play, 19th century

Unknown Japanese

Not on View
large flock of cranes, with a few darker gray cranes against a gold background

Cranes [left of a pair], 18th century

Unknown Japanese

Not on View
tea preparations on an exterior deck; entry gate at far right; stream running from house to gate through right three panels; interior of structure is a set tea table and large jars in various rooms

Preparation of Tribute Tea, 17th-19th century

Unknown Japanese

Not on View
back of man who is watching a woman descending from a sedan, helped by 4 women and a girl; brilliant red-leafed tree

Excursion to View Autumn Colors, late 19th century

Unknown Japanese

Not on View
Embroidered scene of the Golden Pavilion on one side and scene of Mount Fuji painted on silk on the other, black lacquer frame

The Golden Pavilion in Kyoto, early 20th century

Unknown Japanese

Not on View
landscape scene with dark blue water and puffy gold clouds, brown rice fields, trees, mountains; a few huts amid fields; small temple complex on a peninsula; people on boats

A View of Ama no Hashidate, early 17th century

Unknown Japanese

Not on View
landscape scenes with gold sky and gold ground between scenes; rolling mountains; villages by bodies of water and rivers with small groves of trees; snow-covered large mountain peak at top of second panel from L; some tiny figures inside buildings, on boats and in landscapes; place names in black on small gold rectangles

Panoramic View of the Tōkaidō [right of a pair], 18th-19th century

Unknown Japanese

Not on View

Figures in landscape and houses, Date Unknown

Unknown Japanese

Not on View
Japanese style

Clock, c. 1869

Emile-Auguste Reiber; Maker: Christofle

Not on View
portrait of five young ladies in tradition Japanese garments; three standing, two seated; folding screen behind figures; women wear floral patterned kimonos; three have pink flowers in their hair

Untitled, from a photography album with images of Japan, 19th-20th century

Japan

Not on View
three young women wearing traditional Japanese costumes, in dancing poses, in a narrow hallway in front of a folding screen; two girls and right wear kimonos with small flowers; girl at left wears pale blue kimono

Dancing, from a photography album with images of Japan, 19th-20th century

Japan

Not on View
two young women wearing traditional Japanese garments; kneeling woman at right wearing blue and grey striped kimono assists standing woman at left, wearing a flowered kimono with blue ground, with tying her obi; folding screen and hanging scroll in background

Dressing, from a photography album with images of Japan, 19th-20th century

Japan

Not on View
One panel of four fold screen. Unsigned. (another panel of the screen is signed)

Mandarin Ducks, c. 1730-1740

Watanabe Shiko

Not on View
standing young woman wearing a lavender kimono and pale blue and grey plaid obi, looking at her reflection in a mirror; girl holds pink and white flowers; screen with painting of cranes at left

Singing Girls, from a photography album with images of Japan, 19th-20th century

Japan

Not on View
three young women in an interior; seated woman at right plays a shamisen; two other young women with fans and wearing dark striped kimonos, dance; folding screen at left

Geishas Dancing, from a photography album with images of Japan, 19th-20th century

Japan

Not on View
two-fold screen; seated figure with a staff behind bamboo blind at left; brown umbrella at center; yellow flowers in LRQ; blue sheet in background; gold at top

%C2%A9 Yamamoto Tar%C5%8D

Blue Sheet and Yellow Flowers [left of a pair], 2008

Yamamoto Tarō

Not on View
two-fold screen; hanging blue sheet at left; white cloth on wire hanger, ULQ; some yellow flowers at bottom edge; gold at right, with white form in URC

%C2%A9 Yamamoto Tar%C5%8D

Blue Sheet and Yellow Flowers [right of a pair], 2008

Yamamoto Tarō

Not on View
six-panel screen which combines abstract and geometric painting with vignettes and writing; each panel hosts nine squares; each square contains either a figurative painting or Japanese characters; gold leaf covers the majority of each panel and purple and silver rectangles cap the top and bottom of each panel

Scenes from The Tale of Genji [right of a pair], 17th century

Tosa Mitsunari

Not on View
two-fold screen; R screen from pair; very young crane at L panel; three cranes at R panel

Family of Cranes [right of a pair], c. 1787

Nagasawa Rosetsu

Not on View
two-panel folding screen; thin, stylized red, gold, silver, and burgundy bamboo stalks against black background; small spray of bamboo foliage on L screen

Bamboo, mid 20th century

Atarashi Kōsen

Not on View
two panel small screen; small boat drawn with just a few silver strokes against a dark blue background; silver panel opposite

%C2%A9 Shinoda T%C5%8Dk%C5%8D

Boat, c. 1962

Shinoda Tōkō

Not on View
six-panel folding screen; on L a girl and child are opening up a screen of a landscape, the girl is holding the right edge of the screen; on R two reclining figures are next to a group of three figures seated around a table with one standing woman; the seated figures are a girl with books in front of her, a man looking at a book, and a girl making paper cranes; to the far right is an oriental rung with a table with the game of go, a biwa wrapped in fabric, and a stationery box

The Four Accomplishments [right of a pair], second half 19th century

Shibata Zeshin

Not on View
two-fold screen; unsigned; L screen from pair; three cranes at L panel; one is a young crane; one crane at R panel tucking head behind legs

Family of Cranes [left of a pair], c. 1787

Nagasawa Rosetsu

Not on View
young couple engaged in intercourse; both figures are nude; screen with waterfall, URQ; text above young woman's head

Young Lovers, No. 10 from Twelve Bouts in the Way of Love (Shikidō torikumi jūniban), c. 1775-1777

Isoda Koryūsai

Not on View
six-panel folding screen; several groups of figures against gold leaf background; casually clad man sits next to a fabric-wrapped bundle on L; a cluster of five figures follows, two standing girls and a young man leaning in an "S"-curve on his katana; seated in front of this group is a woman and a man; in foreground are two seated figures, one woman with her dog and a girl with her back turned; blind musician playing shamisen, with broken string held with lips; on far R a group of three dancing figures, two women and a man

The Four Accomplishments [left of a pair], second half 19th century

Shibata Zeshin

Not on View
six panel screen with small paper leafs containing calligraphy or colorful images from the Tale of Genji against gold foil background painted with green grid patterns; tarnished silver and blue boarders across top and bottom

Scenes from The Tale of Genji [left of a pair], 17th century

Tosa Mitsunari

Not on View
two panel screen with two separate images of flowers: blossoming white lilies and hydrangeas highlighted with blue, and two butterflies near top on R screen; three stalks of red and white hollyhocks on L panel

Lilies with Hydrangea and Hollyhocks, 1801

Sakai Hōitsu

Not on View
two phoenixes at center, perched on a gnarled tree branch; waves at L; greens, blues, pink and white; seal and inscription, LRC

Phoenixes and Paulownia [right of a pair], early 18th century

Kano Tanshin

Not on View
five women lounging with instruments, books, fans; bald man at L with back to viewer playing stringed instrument; decorative screen ULQ; women in bright kimonos

Musical Party, late 17th century

Hishikawa Moronobu

Not on View
two panel screen of wooden square tub with ropes at R; candle on tall stand at R

Ibaraki [right of a pair], 1882

Shibata Zeshin

Not on View
six panel screen with large, expressive, splattered characters written across screes

%C2%A9 Suda Kokuta

Words Concerned with Existence [left of a pair], 1984

Suda Kokuta

Not on View

Promenade des nourrices, frise des fiacres, 1899

Pierre Bonnard; Publisher: Moilines, Galerie Laffitte, Paris

Not on View
6 panel screen with alternating panels of calligraphy, and panels of bamboo stalks with delicate foliage and small inscriptions

Bamboo and Chinese Poems [right of a pair], 1865

Doi Gōga

Not on View
sparse pattern of whitish rectangular and irregular shapes printed over dark blue mulberry paper; overlapping vertical and horizontal hash marks give impression of window screen; simulated insect damage on white shapes; applied thin paper shapes at L and LR with insect losses and Japanese writing; framed

%C2%A9 Kimura Yuko

Paper Windows, 2017

Kimura Yuko

Not on View

Egrets in Willow [left of the pair Egrets in Plum and Willow], second half 16th century

Sesson Shūkei

Not on View
R screen: large tree at R with branches and foliage extending over several panels; cluster of squared rocks at R; lotus blossoms and leaves at R; hawk perched on stone near center; another hawk at UL about to dive downward

Hawks by a Stream [right of a pair], mid 17th century

Soga Nichokuan

Not on View
pallette is predominanty beige, grey, white and green; two white cranes on panel 2 with several other birds and ducks; bamboo on L; painting on back of screen also

Birds in Landscape [left of a pair], early 16th century

Shūgetsu Tōkan

Not on View
two-panel screen with two separate images; L panel: scruffy male figure seated on rock with flat bald spot on head, gazing to UR; robes open; holding gourd in PL hand, PR hand on knee; very long and pointed fingernails and toenails; R screen: shaggy male figure in open white robe seated on rock stroking large white frog with PL hand; looks out at viewer with half closed eyes; mouth slightly open showing two pointed teeth; flat bald spot on head

The Immortals Gama Sennin and Tekkai Sennin, early 19th century

Kuroda Ryōzan

Not on View
bound book with blue cover; text with a few images including a woman playing a lute with man looking on; man and woman sneaking past a screen with bamboo and attendant; and men carrying a palanquin

Red and White Tale of Genji, vol. 3b: Autumn Excursion, 1709

Okumura Masanobu

Not on View
clusters of blue and white irises--near center of screen on R side, and closer to bottom on L side

Irises [right of a pair], late 19th century

Spurious signature and seal of Sakai Hōitsu

Not on View

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